Lou Busch & His Orchestra
Louis Ferdinand Busch (July 18, 1910 - September 19, 1979) was a music producer and musician who was best known for performing as a pianist under the nickname Joe "Fingers" Carr.
Biography
Louis Bush was born and raised in Louisville during the ragtime era and the jazz age. The family name was Bush, but he later added the "c" largely for the uniqueness. Truly blessed with an inherent music talent, he was already leading a ragtime and jazz band Lou Bush and His Tickle Toe Four, by the time he was 12 years old.[1]
At 16 he left school and home for a career as a professional musician, playing with the likes of "Hot Lips" Henry Busse, Clyde McCoy and George Olson.[1] After a few years on the road, his desire to learn more about music theory led him to study at the Cincinnati Music Conservatory in Ohio in the early 1930s.[2]
Following his music education break, Busch became the pianist for Hal Kemp's "sweet music" band for the remainder of the 1930s.[1] Lou also honed his arranging skills, being offered an arranging position when arranger John Scott Trotter left the band in 1936. This position was shared with another key arranger, Hal Mooney, and was invaluable experience for both of them. After Kemp died in a car crash in 1940 and the group disbanded, Busch and Mooney made their way to California to work as studio musicians and whatever gigs they could find. This was interrupted by World War II, where Lou spent three years in the Army.[2]
Capitol Records
After his tour of duty, Busch decided to dive back into the music business. It was around this time that singer Johnny Mercer was recruiting artists and employees for his recently formed label, Capitol Records, so Busch was hired for the radio transcription service in 1946.[1] He was in charge of production of promotional radio shows featuring Capitol artists for distribution to stations around the country.
By 1949 he had been promoted to A&R (Artist and repertoire) man given his considerable talent and contacts.[1] During this time he also served as a pianist for studio groups backing singers such as Peggy Lee, "Tennessee" Ernie Ford and Jo Stafford.[citation needed] Busch divorced from Janet Blair and married Margaret Whiting, they had a daughter, Debbi.[citation needed]
One summer, Busch backed singer Jo Stafford and conductor Paul Weston on the hit record, Ragtime Cowboy Joe. The success encouraged both him and the label to release his own original single, Ivory Rag, early in 1950.[1] It was the first piece incorporated into the Crazy Otto Medley by German pianist Fritz Schulz-Reichel, which was later associated with Johnny Maddox in the U.S.
Busch decided to do produce some records, and recorded pieces by himself, Ray Turner and Marvin Ash for Honky Tonk Piano, released in late 1950.[citation needed] The Honky-Tonk reference, more often identified as a Country Music term, is likely in conjunction with the type of "joint" the music was played, but the sound of the piano might also apply, as they sometimes used hardened hammers or detuning to alter the tone. However, instead of just piano, Busch and company followed the lead of the traditional jazz revivalists of the late 1940s and added percussion and bass.[citation needed]
Taking on the personality of Joe "Fingers" Carr, Busch released a succession of ragtime albums and singles throughout the 1950s that remained popular well into the mid 1960s. Capitol pushed the nostalgic Carr image with the derby and the cigar more so than Busch.[citation needed] It was during that period, 1962, he formed Burning Bush Music ASCAP.
His biggest hits from the 1950s include Portuguese Washerwomen, Sam's Song, a cover of Del Wood's version of Down Yonder, and the international hit Zambezi.[2] Some of the singles include his vocal backup group, the cleverly-named The Carr Hopps. Often overlooked are several mainstream and jazz sides he recorded as Lou Busch, featuring exciting band or orchestral arrangements.
One Busch collaboration with Milton DeLugg, Rollercoaster, became the closing theme of the TV panel show What's My Line? for the entirety of its original network run, from 1950 to 1967.
Warner Brothers Records
Busch eventually left Capitol for Warner Bros. Records where he took on the same general responsibilities.[1] Busch returned to arranging and conducting responsibilities again, one of the most notable being the musical force behind comic singer Allan Sherman.[2] A few later albums were released on the ragtime-centric DOT label, and in the late 1970s he produced one more effort with friend and jazz pianist Lincoln Mayorga, complete with a couple of new tunes, The Brinkerhoff Piano Company.
Busch never fully retired from music, and married a third time to Nita Archambeau, a music clearance specialist.[citation needed] They were both good friends of Capitol artist Stan Kenton and his wife Audrey.
Death
In the late 1970s he did some live performances with Mayorga and others in Southern California. However, he met a tragic end in an automobile accident at Camarillo, California when he died on September 19, 1979 from complications of his injuries. He was interred in the Westwood Village Mortuary near UCLA.[2]
Albums
AlbumRecord
Bar Room PianoCapitol
Rough House PianoCapitol
And his ragtime bandCapitol
Plays the classicsCapitol
Mr. RagtimeCapitol
Honkey Tonk Street ParadeCapitol
The Hits of Joe Fingers CarrCapitol
The worlds greatest ragtime piano playerWarner Bros
Brassy PianoWarner Bros
The Riotous, Raucous Red-Hot 20sWarner Bros
Together for the Last Time (with Ira Ironstrings)Warner Bros
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